How Old Bad Ideas Become Wonderful – VICTOR DAVIS HANSON

We in America are regressing—now returning to the distant neanderthal past, now embracing the worst of what the 19th and 20th century had to offer. There is no end of history. Instead, civilization is a constant fight to embrace what has worked for the common good through the ages—and to reject what in the past has failed abysmally. Bad and bankrupt ideas, protocols, and ideologies—like McCarthyism, communism, various cults, or fascism—resurface not because of their intrinsic or lasting value or record of success, but because civilizations become less vigilant and allow human vanities, ignorance, arrogance, and evil to reassert themselves.

Joe McCarthy Is Back

Our Tail Gunner Joe (of semi-truck driving expertise and brilliant legal training fame) in a single week smeared roughly half the country as un-American “semi-fascists.” Then in one of the creepiest speeches and background sets in American political history, Joe Biden railed that “Donald Trump and MAGA Republicans are a threat to the very soul of this country.” Franklin Roosevelt declared war on Japan in careful, sober, and exacting presidential tones; Joe Biden all but declared war against half his own people like a raving lunatic. All that was missing from the rant was Biden waving to the crowd a purported list of names of prominent MAGA threats to our collective soul and screaming, “I have here in my hand a list of 205 members of the MAGA Party!” Yet Biden never quite told us what was subversive about the “MAGA Scare” or wanting to “Make America Great Again.” It was merely a sort of conservative version of George McGovern’s call to “Come home, America.” Both slogans, like Obama’s “hope and change” banality, suggest things were either better before the present or will be better afterwards. Unable to acknowledge this, a more-than-usual angry, snarling, and nearly incoherent Biden screamed his McCarthyesque attack amid an eerie red-and-black lit background, punctuated by two U.S. Marines on guard in the shadows of the red glow. (Gen. Mark Milley was uncharacteristically silent about the use of military props for executive political agendas). The resulting lurid visual effect was a cross between an outtake from “Triumph of the Will” and a bad version of “Phantom of the Opera.”

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